At the end of June in Paris: Mireille accompanies his friend Thomas, a solitary and restless being, during a walk to Père Lachaise. Thomas is very agitated, worried. He confides to Mireille that he wishes to be cremated in the event of death. In September: after a period of holidays, Mireille returns at her home. She and his friends do not any more manage to contact Thomas. After investigation, Mireille learns that Thomas died in August, only. As he has no family his body was interred in the square of the needy of the new cemetery of Thiais. Mireille wants to honor the last wills of his friend, but the law is strict: to dig up the body and cremate it, the services of the city hall have to have the signature of a member of Thomas's family. Mireille learns that Thomas had a younger brother, Melchior. But But the young man, marginalized, abandoned for years by his older brother, refuses to sign the licence to dig up.

A Campfire Horror Story from Ancient Rome.

Ms. Isabel Archer isn't afraid to challenge societal norms. Impressed by her free spirit, her kindhearted cousin writes her into his fatally ill father's will. Suddenly rich and independent, Isabelle ventures into the world, along the way befriending a cynical intellectual and romancing an art enthusiast. However, the advantage of her affluence is called into question when she realizes the extent to which her money colors her relationships.

Anthology short film with segments by nine directors against Silvio Berlusconi and its Forza Italia party — released ahead of the 1994 Italian general elections, which Berlusconi nevertheless won in a landslide. In Nanni Moretti's segment, he and Silvio Orlando reprise their roles from The Yes Man (1991).

A Korean writer travels to Vietnam to do research for her story about a cursed portrait of a Vietnamese girl named Muoi.

Based on a true story, renowned Korean poet, Yun Dong-ju, is detained and abused by the Japanese for participating in the Korean Independence Movement.

Nearly 80 years after her death, Marie Curie remains by far the best known female scientist. In her lifetime, she became that rare thing: a celebrity scientist, attracting the attention of the news cameras and tabloid gossip. They were fascinated because she was the first woman to win the Nobel Prize and is still the only person to have won two Nobels in two different sciences. But while the bare bones of her scientific life, the obstacles she had to overcome, the years of painstaking research, and the penalty she ultimately paid for her discovery of radium have become one of the iconic stories of scientific heroism, there is another side to Marie Curie: her human story. 　　This multi-layered film reveals the real Marie Curie, an extraordinary woman who fell in love three times, had to survive the pain of loss, and the public humiliation of a doomed love affair. It is a riveting portrait of a tenacious mother and scientist, who opened the door on a whole new realm of physics, which she discovered and named: radioactivity.

Nearly 80 years after her death, Marie Curie remains by far the best known female scientist. In her lifetime, she became that rare thing: a celebrity scientist, attracting the attention of the news cameras and tabloid gossip. They were fascinated because she was the first woman to win the Nobel Prize and is still the only person to have won two Nobels in two different sciences. But while the bare bones of her scientific life, the obstacles she had to overcome, the years of painstaking research, and the penalty she ultimately paid for her discovery of radium have become one of the iconic stories of scientific heroism, there is another side to Marie Curie: her human story. 　　This multi-layered film reveals the real Marie Curie, an extraordinary woman who fell in love three times, had to survive the pain of loss, and the public humiliation of a doomed love affair. It is a riveting portrait of a tenacious mother and scientist, who opened the door on a whole new realm of physics, which she discovered and named: radioactivity.

A contract killer gets entangled with a murder case and three terminally ill women who have each decided to end the life of one person before they die.

Hannah & Olivia, Lily & Alice, and Sophie & Eloise are three pairs of identical twins, and although at first glance the sisters can be hard to tell apart, in fact there is nothing identical about them. The more you get to know them, the more you come to realise how uniquely different they are. In a series of simple documentary portraits we hear them talking about the unique bond they share and how they found their individual taste and style through years.